Her Naked Skin

Director

Connie's theatre credits include: as revival Director, Dear England (National Theatre), as Director, Sergeant Musgrave’s Dance (Almeida, staged reading), The Enchanted (The Bunker/Edinburgh Fringe), truth and reconciliation and Image of an Unknown Woman (Mountview), Colostrum (Oxford School of Drama) and Blood Wedding (East 15), as Staff Director/Associate Director, Dear England ( National Theatre) and The Walk for Good Chance, and as Assistant Director, Alma Mater (Almeida), Henry VIII (Shakespeare’s Globe), Coriolanus and Guys and Dolls (Sheffield Theatres).

Connie was an Associate Artist at Good Chance and Resident Assistant Director at Sheffield Theatres.

She is a recipient of an arts council DYCP grant, focusing on adaptations of novels and re-imaginings of classics.

Movement Director

Aline David’s work in theatre includes Man and Boy, Till the Stars Come Down (also West End), A Taste of Honey, Barber Shop Chronicles, Romeo and Juliet, Emil and the Detectives, Antigone, The Kitchen, Greenland and Our Class at the National Theatre; Macbeth and The Merchant of Venice for the RSC; Lord of the Flies at Chichester; Gunter, Gone Too Far! and Wanderlust at the Royal Court; The Cord and The Arrival at the Bush; The Crucible, a Christmas Carol, Romeo and Juliet, A Taste of Honey and Alice at Sheffield Crucible; Arabian Nights at Bristol Old Vic; Sons of the Prophet at Hampstead; The Brothers Size, Dutchman, Eurydice, Elektra, Parallel Macbeth, The Invisible Woman and Play Size at the Young Vic; School Girls; or, The African Mean Girls Play at the Lyric Hammersmith; Dance Nation and The House of Bernarda Alba at the Almeida; First Love is the Revolution and FLIP! at Soho Theatre; Of Mice and Men at Birmingham Rep; Henry VIII, Romeo and Juliet, Women Beware Women, Antony & Cleopatra, Much Ado About Nothing, Troilus and Cressida and Handel and the First Messiah at Shakespeare’s Globe; Proof at Menier Chocolate Factory; Waiting for Godot at West Yorkshire Playhouse; and 1984, Macbeth and The Mighty Waltzer at the Royal Exchange, Manchester.

Opera includes The Owl and the Pussycat at the Royal Opera House; Working at the Royal Academy of Music; Nothing at Glyndebourne and Den Jyske Opera, Denmark; and Daphne at La Monnaie, Belgium.

TV includes The Crown (seasons five and six), Augustus and The Typist.

Set & Costume Designer

Ellie is a set and costume designer from London.

Recent credits include: After Miss Julie (Park Theatre), Da Vinci’s Laundry (Riverside Studios), Aether (Summerhall, Edinburgh/Jermyn Street), Breaking Bach (EIF/Orchestra of the Age of Enlightenment), Miles (Summerhall/Southwark Playhouse), 855 – For Truth, Grounded (The Bridge Theatre, Brussels), Thanks for Having Me (Riverside Studios), Dead Dad Death Cult (Battersea Arts Centre), Florence (Pleasance/The Other Palace), Chef (The Gaiety Theatre/Scottish tour) and Blizzard (Soho Theatre).

As Associate Designer to Es Devlin credits include Dua Lipa’s Future Nostalgia tour and The Crucible (National Theatre/Gielgud Theatre).

Lighting Designer

Skylar is a freelance lighting designer. She was awarded the ALPD Michael Northern Award 2025, the Profile Award for Outstanding New Designer in Theatre 2024, and was shortlisted for the Stage Debut Award for Best Designer in 2024.

Skylar has worked on a variety of productions from Fringe to TV. She also was the Assistant Lighting Designer on Stranger Things: The First Shadow, Mean Girls and Hercules (West End).

Sound Designer

Matt is a composer and sound designer for theatre, film and TV, as a solo artist, and in bands.

He has been commissioned by the BBC, Channel 4, the Barbican, the Guardian, Young Vic, BFI Doc Society and Vogue, receiving prizes from the Grierson Awards and Tribeca Film Festival.

He has led or assisted in workshops for companies including National Theatre, National Youth Theatre and Good Chance Theatre. He plays in Strange Boy and runs the label Circle Dance.

Creatives

Fight Director
Marcello Marascalchi

Intimacy Director
Mandy Gordon

Voice Coach
Jessica Hammett

Assistant Director
Hannah Thomas *

* MFA Creative Practice - Directing student

Production Team

Production Manager
Tiffany Ledesma

Costume Supervisor
Kat Stone

Dresser
Madison Randall

Stage Manager
Bex Watters (She/Her)∆ 

Deputy Stage Manager
Nellie Gleave (They/Them)∆

Assistant Stage Managers
James Cox (He/Him) ∆
Liv Powell (She/Her) ∆
Leo Watson (He/Him) ∆

Production Electrician
Hakan Hafizoglu

Assistant Production Electrician
Hazel Erskine (They/Them) ∆

Production Sound Engineer
Alex Adshead (She/They) ∆

Lighting Programmer
Efa Jane

Lighting Operator
Valerie Goriaeva (She/Her) ∆

Scenic Art Manager
Steven Peters

Scenic Construction Manager
Hannah Smith

Deputy Scenic Artist / Prop Maker
James Wilkes

Scenic Artists
Maisie Glover ∆
Mae White ∆
Francesca Wolff ∆

Fit-Up Crew
Tash Werblow ∆
Gray Vibert ∆

* MFA Creative Practice - Directing student
∆ FdA/BA Technical Production student