Revolt. She Said. Revolt Again.

Director

Sarah is an award-winning director specialising in new writing. She trained on the Birkbeck Theatre Directing MFA and was a 2023 JMK finalist.

Directing work includes 1.17am, or until the words run out (Finborough Theatre), lenny. (Omnibus), Beasts: Why Girls Shouldn’t Fear the Dark (Edinburgh Fringe - Fringe First Winner), Utoya (Arcola Theatre), BASIC BALD B*TCH (Brixton House), If. Destroyed. Still. True. (Hope Theatre) and One Kiss (Belgrade Theatre).

She also works as a dramaturg, an associate and assistant director – most recently on Midsomer Murders (UK tour) and A Midsummer Night’s Dream (RSC/Barbican) – and is a reader for the Papatango and Bruntwood prizes.

Set Designer

Anna trained at Royal Welsh College of Music and Drama.

Her theatre credits include: Lark Rise to Candleford (Watermill/Theatre by the Lake), A Christmas Carol, Ottilie (Barn Theatre), The Seagull (Royal Edinburgh Lyceum/Chichester Festival Theatre), Big Big Sky (New Vic), The Curious Case of Benjamin Button (Ambassadors), Mrs President, Stiletto (Charing Cross), Basic Bald B*tch (Brixton House), With Courage (The Other Palace), Shakespeare’s R&J (Reading Rep), The Wicker Husband, Under Milk Wood, Our Town (Watermill), The Sorcerer’s Apprentice, Indecent Proposal (Southwark Borough), The Snow Queen (Cheltenham Everyman), Guesthouse (Eastern Angles), Moby Dick the Musical (Union), 1001 Nights (Queen’s Theatre Hornchurch), Ring Ring, Dance Nation (Omnibus), If.Destroyed.Still.True (Hope), Exodus (Finborough), Le Loup-Garou and Le Dernier Sorcier (Gothic Opera).

Lighting Designer

Peter trained at RADA. His theatre credits include The Smeds and the Smoos (Tall Stories), A Singe Man (Park Theatre), Pink Mist (Bristol Old Vic), Macbeth (Stafford Festival Shakespeare), Translunar Paradise (Theatre Ad Infinitium), Chicago (Pimlico Opera), and Orestes (Shared Experience). 

His opera credits include Paul Bunyan (Welsh National Youth Opera), and Orpheus in the Underworld (Royal College of Music), and his lighting for dance includes work for the Royal Ballet, Sadler’s Wells and the Gartnerplatz Theatre, Munich.

Sound Designer

Anna trained as a composer at the Royal Welsh College of Music and Drama.

Her theatre credits include: Easy Virtue (Arts Theatre Cambridge), The Talented Mr Ripley (Faction Theatre/UK tour), Marriage Material (Lyric Hammersmith/Birmingham Rep), Playhouse Creatures (Orange Tree Theatre/Yvonne Arnaud Theatre/Theatre Royal Bath), Personal Values (Hampstead Theatre Downstairs), Sisters 360 (Polka Theatre), Churchill in Moscow (Orange Tree Theatre), I Really Do Think This Will Change Your Life (Mercury Theatre), Sam Wu Is Not Afraid of Ghosts (Polka Theatre), Laughing Boy (Jermyn Street Theatre/Theatre Royal Bath), Romeo and Juliet (Arts Theatre Cambridge), A Streetcar Named Desire (Almeida Theatre).

Fight Director
Marcello Marascalchi (He/Him)

Voice Coach
Megan Burns

Assistant Director
Fern Boston * (She/Her)

* MA/MFA Creative Practice - Directing student

Production Manager
Naomi Wildridge (She/Her)

Costume Supervisor
Kate Page (She/Her)

Stage Manager (Rehearsals)
Matilda Wilkes (She/Her)

Stage Manager (Venue)
Fanis Christou (He/Him)

Deputy Stage Manager
Grace Ho (She/Her) ∆

Assistant Stage Manager
Bex Watters (She/Her) ∆

Rehearsal Assistant Stage Managers
Fanis Christou (He/Him) 
Leo Watson (He/Him) ∆

Lighting Programmer & Operator
Will Mortimer (He/Him) ∆

Production Sound Engineer
Kayla Warham (She/Her) ∆

Scenic Construction Manager
Hannah Smith (She/Her)

Scenic Art Manager
Steven Peters (He/Him)

Scenic Artist / Prop Maker
James Wilkes (He/Him)

Scenic Painters
James Cox ∆
Megan Elliott
Maisie Glover ∆
Neve Watts ∆∆ 
Francesca Wolff ∆∆

∆∆ PG Diploma Stage and Production Management
∆ FdA/BA Technical Production student