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Director

Connie is a director and writer. She is an associate artist with award-winning Good Chance (The Jungle, Walk with Amal) where she works with the artistic leadership team as a director, dramaturg and facilitator. Between 2019-2020, she was the Resident Assistant Director at Sheffield Theatres.

As a director and assistant director, she has worked with venues including The Globe, The National Theatre of Scotland and The Citizens Theatre.

She currently holds a DYCP grant to focus on adapting novels for the stage and re-imagining classics.

Set & Costume Designer

Anna trained at RWCMD.

She completed a year with the RSC as Assistant Designer 2018-19, is an associate artist at The Watermill Theatre and was shortlisted for the JMK 2023.

Selected design credits include: Shakespeare’s R&J (Reading Rep), The Curious Case of Benjamin Button, The Sorcerers Apprentice, Indecent Proposal (Southwark Playhouse), The Wicker Husband, Under Milk Wood, Our Town (Watermill), Blue Stockings (Mountview), Ring Ring, Dance Nation (Omnibus), If.Destroyed.Still.True (Hope).

Assistant/Associate credits include: The Flying Dutchman (Opera Up Close), Pride and Prejudice* (*Sort of) (Minack), Purple Snowflake and Titty Wanks (Royal Court), The Boy in the Dress, Measure for Measure, Venice Preserved, Kunene and the King (RSC).

Lighting Designer

Peter trained at RADA.

His Theatre credits include The Smeds and the Smoos (Tall Stories), A Singe Man (Park Theatre), Pink Mist (Bristol Old Vic), Macbeth (Stafford Festival Shakespeare), Translunar Paradise (Theatre Ad Infinitium), Chicago (Pimlico Opera), and Orestes (Shared Experience).

His Opera credits include Paul Bunyan (Welsh National Youth Opera), and Orpheus in the Underworld (Royal College of Music), and his lighting for Dance includes work for the Royal Ballet, Sadlers Wells and the Gartnerplatz Theatre, Munich.

Sound Designer

Ellie is a sound designer, composer, actor/musician and synth-pop artist (BYFYN).

Her “quietly ground-breaking” work spans a vast array of forms, from site-specific theatre, to binaural audio experiences, to musical theatre.

Recent work includes composition for the stage adaptation of Lemony Snickett’s The Dark.

Fight Choreographer
Marcello Marascalchi

Voice Coach
Matthew Harrison

Assistant Director
Lilly Butcher*

* MA Theatre Directing student

Production Manager
Connie Yip

Costume Supervisors
Jessie McKenzie
Kat Stone

Stage Manager
Leah Bainbridge†

Deputy Stage Manager
Lauren Tearle†

Rehearsal Assistant Stage Managers
Nellie Gleave†
Freddie Outhwaite†

Assistant Stage Managers
Alexandra King°
David Luggar†

Production Electrician
Yann Rigotti†

Production Sound Engineer
Wayne Harris

Lighting Programmer
Chloe Palmer†

Lighting Operator
Callum Mack

Scenic Construction Manager
Hannah Smith

Scenic Art Manager
Steven Peters

° PG Dip Stage & Production Management student
† FdA/BA Theatre Production Arts student